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Black Camera

Spring 2022

Please click the image to read Black Camera on Project MUSE.

Table of Contents

Call for Close-Up Submissions

- Oh, the Places It Did Go: The Diasporic Journeys of Blaxploitation

- Revisiting Sara Gomez

Tribute

A Tribute to Jim Brown: Three the Hard Way, as Athlete, Actor, and Activist (1936-2023)
- Joseph E. Roskos

Article

Make Way for Tomorrow: Documenting the Struggle in Madeline Anderson's Integration Report 1 (1960)
- Matthew Eng

Close-Up: The Harder They Come: The Legacy Continues

Introduction
- Allison J. Brown

Fear, Sufferation, and Mythology in the Metamorphosis of Ivan to Rhygin
- Nicole Plummer

The Postcolonial Jamaican Outlaw Hero in Perry Henzell’s The Harder They Come
- Willam A. Heade

“I wanted to combine realism with a sort of lighter touch”: An Interview with Perry Henzell, Director of The Harder They Come
- Bruce R. Paddington

Casting, Music, and Logistics in The Harder They Come: A Conversation with Robert Russell
- Allison J. Brown

A Pioneer of Jamaican Film: A Conversation with Raymond Edwards
- Alpha Obika

Dossier—The Harder They Come, Fiftieth Anniversary Exhibition
- Allison J. Brown

Close-Up: Jordan Peele, the “Looking Trilogy”

Introduction
- David C.Wall

Horror and Loss in Samuel Fuller’s Shock Corridor and Jordan Peele’s Get Out
-Alice Mikal Craven

Horrifying Whiteness and Jordan Peele’s Get Out
- Julia Mollenthiel

Black Identity and Resistance Revisited through Jordan Peele’s Get Out and Us
- Jayson Baker

Olivier Barlet Dossier

FESPACO 2023 / 1: A Cinema in Response to Terrorism
- Olivier Barlet

FESPACO 2023 / 2: Women in African Cinema
- Olivier Barlet

African Women in Cinema Dossier

“I Dared to Make a Film”: A Tribute to the Life and Work of Safi Faye
- Beti Ellerson

Reviews

Book Review: Esteban E. Loustaunau and Lauren E. Shaw (eds.) Telling Migrant Stories: Latin American Diaspora in Documentary Film
- Alvaro Ibarra

Film Review: Atlantis (2021)
-Babatunde Onikoyi