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Black Camera

Fall 2023

Please click the image to read Black Camera on Project MUSE.

Table of Contents

Call for Close-Up Submissions

- Oh, the Places It Did Go: The Diasporic Journeys of Blaxploitation

- Revisiting Sara Gomez

- Sambizanga (1972): Aesthetics and Politics of Sarah Maldoror's Films

Tribute

A Tribute to Jim Brown: Three the Hard Way, as Athlete, Actor, and Activist (1936-2023)
- Joseph E. Roskos

Article

Make Way for Tomorrow: Documenting the Struggle in Madeline Anderson's Integration Report 1 (1960)
- Matthew Eng

Close-Up: Still Got the News: Fifty Years Out on Finally Got the News

Renewing Black Radicalism and Labor Militancy with Finally Got the News: An Introduction
- Cole Nelson

“A Component Part of the General Struggle of All the People of the World”: Finally Got the News between Black Detroit and the World Revolution
- Zachary Williams

An American Dilemma? It’s Happening in Detroit, or the Swedish History of Finally Got the News
- John Sundholm

Self-Defense and the Surround in Finally Got the News
- Travis Williams

Finally Got the News, on Another Continent
- Ferruccio Gambino with Dylan Davis

Finally Got the News: The Making of a Radical Film
- Dan Georgakas

An Interview with John Watson
- Dan Georgakas

Dossier 1—Seizing the Means of Cultural Production—Interviews on Finally Got the News
- Chris Robé

Dossier 2—Getting Out the News—Black Star Productions and the Reception of Finally Got the News
- Cole Nelson

Close-Up: The Africas/Diasporas of Women in the Evolution of a TransAfrican Film Practice and Inquiry

Part 1: Introduction: Journeys into the Cinematic Imaginary of Women’s Africas/Diasporas
- Beti Ellerson

Part 2: (Re)Imagining Cinematic Histories of Africa: African Women, Cinema, and the Tale of Kadidia Pâté
- Beti Ellerson

Part 3: Women’s TransAfrican Cinematic Practice and Activism: Mapping the Trajectory of an African Women’s Cinematic Consciousness
- Contributions by Beti Ellerson, Annouchka de Andrade, Henda Ducados, Leonardo De Franceschi, Joy Nwosu Lo-Bamijoko, Thérèse-Marie Deffontaines, Izza Genini, M’bissine Thérèse Diop, Carrie Dailey, and Françoise Pfaff

Part 4: Building a Legacy, Preserving a Heritage of African-Diasporic Cinematic Experiences
- Contributions by Beti Ellerson, Chantal Bagilishya, Imruh Bakari, Michael T. Martin, Joyce Osei Owusu, Souad Houssein, and Mahen Bonetti

Part 5: Alternative Discourses: Theorizing Lived Experiences in African Women’s Cinematic Practice, Meaning-Making, and Shaping of Knowledge
- Contributions by Beti Ellerson, Anne-Laure Folly Reimann, Ngozi Onwurah, and Jihan El Tahri

Part 6: Mediating Diasporic Cinematic Experiences and Practice
- Contributions by Beti Ellerson, Wanjiru Kinyanjui, Najwa Tlili, Shirikiana Aina, and Jacqueline Nsiah

Part 7: Critiquing Africas/Diasporas: Intersecting Dialogues
- Falila Gbadamassi in Conversation with Claire Diao, Leyla Bouzid, Mati Diop, and Cornélia Glele

Part 8: Reconciling Africas, Identities, Diasporas
- Contributions by Beti Ellerson and Claire Andrade-Watkins

Part 9: Image Gallery: African/Diasporan Women Reframing Screen Identities
- Beti Ellerson

Olivier Barlet Dossier

FESPACO, Pt. 3: The Political is Never Far Removed
- Olivier Barlet