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Table of Contents
Call for Close-Up Submissions
- Still Got the News: Fifty Years Out on Finally Got the News
- A Wide Shot: Expanding the Frame on Melvin Van Peebles
Featured Interview
"That's the Difference, I Am Fully Engaged With Art": Renée Baker on the Practice of Scoring Silent Film and the Matter of "Race Movies"
- Michael T. Martin
Articles
Filming Social Death and the Fixed Position of Blackness: On L.A. Rebellion Director Julia Dash's Four Women
- Rachal Burton
Slavery and the Ambiguities of Diaspora in Haile Gerima's Sankofa
- Xavier Lee
Protesting on Screen: Black Protest Films in the Era of #BlackLivesMatter
- Jeanelle K. Hope
The Survival of Big-Screen Cinema in South Africa
- David Max Brown
Archiving Africa: Notes for the Contemporary African Filmmaker
- Paul Ugor
The Politics of Colonization in Ryan Coogler's Black Panther
- Felisa Vergara Reynolds
Vanishing Point: Chadwick Boseman's Body and the Still Image
- Ashley Hendricks
The Jew, the Arab, the Black: La Haine and the Structure of Anti-Black Violence
- Roy Cherian
Interviews
Remembering the Past: A Conversation with Afolabi Adesanya as Film Exhibitor
- Añulika Agina
Close-Up: Contemporary Black Horror
Introduction
- Katherine Tartaglia
Vanilla Nightmares and Urban Legends: The Racial Politics of Candyman (1992)
- Joan Hawkins
"There Existed an Addiction to Blood": Exhuming the Transtemporal Body
- Jasper Lauderdale
Get Out from the Horrors of Slavery
- Delphine Letort
The Work of Horror After Get Out
- Catherine Zimmer
Dossier: Spectacles of Anti-Black Violence and Contemporary Black Horror
- Lauren McLeod Cramer & Catherine Zimmer
