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Table of Contents
Call for Close-Up Submissions
- Still Got the News: Fifty Years Out on Finally Got the News
- The Harder They Come: The Legacy Continues
Articles
Cinema Negro in Brazil: Disrupting the Visual and Discursive Foundations of Blackness in Branco sai, preto fica
- Leslie L. Marsh
Cultivating a Community of Viewers in Africa: How Sissako Frames Spectatorship and Performance in His Films
- Phyllis Taoua
�r�nm�l� Epistemic Reproduction: Nigerian Film-Philosophy via Divinity and Orality
- Saheed Adesumbo Bello
John Akomfrah's The Nine Muses: A Reading with Glissant's "Relation" and Quantum Entanglement
- Kenneth W. Harrow
Kahlil Joseph, New Media, and the New Black Cinema: A Case for Situating Kahlil Joseph's Audiovisual Work Within the Theoretical Frameworks of African Film
- Joseph Owen Jackson
Speaking Animals: Fables of Resistance in Get Out, Sorry to Bother You, and Atlanta
- Caroline Hovanec and Sarah Juliet Lauro
Screaming with Laughter: How Jordan Peele's Get Out Rereads Obama by Rewriting the Black Messiah
- Thai-Catherine Matthews
Too Hot for TV: Black Sketch Comedy and the Politics of Crossing-Over
- Artel Great
Race as Special Effect: Michael Jackson, Captain EO, and the Borders of the Cosmos
- Graham L. Eng-Wilmot
Close-Up: BlacKkKlansman: "On the Right Side of History"?
Introduction: BlacKkKlansman, "On the Right Side of History"?
- Delphine Letort
Adapting BlacKkKlansman: "Based upon some fo' real, fo' real sh*t"
- Delphine Letort
Not Just Talk: The Politics of Enunciation in BlacKkKlansman
- Amelia Saunders
Twos and Threes: A Structural Analysis of BlacKkKlansman's Undercover Narrative
- Joshua Sperling
BlacKkKlansman and the "Sheets of the Past": Toward a Theory of Blacklash Cinema
- Jayson Baker
Close-Up: Paulin S. Vieyra, A Postcolonial Figure
Introduction
- Vincent Bouchard and Amadou Ou�draogo
[Early Years: Postcolonial Vision Before Independence]
Vieyra's Vision of Cinema on the Verge of Independences
- Odile Goerg
Ren� Vautier and Paulin S. Vieyra: Contact of Cin�astes engag�s
- Claire Fouchereaux
Rise of a Nation: An Exploration of Vieyra�s Vision for Senegal Through Une nation est n�e
- Timothy Lomeli
African Realities in Motion: The Role of Dance in Vieyra�s Films in Constructing Intersubjective African Identities
- Dana Vanderburgh
[Education and Nation Building at the Time of Independence]
Motor, Mirror, Reinvention: Paulin Soumanou Vieyra on the African Cinema to Come (1956-1961)
- Nikolaus Perneczky
Senegalese Wrestling as "National Sport" and Other Modern Myths in Lamb
- Silvio Marcus de Souza Correa
Paulin S. Vieyra's Iba N'Diaye: Seminal Modernists in Paint and Film
- Joseph L. Underwood
Paulin Soumanou Vieyra: Imposing his Voice Within an Imposed Value System
- Maria Loftus
Paulin Soumanou Vieyra, the Soviet Union, and Cold War Circuits for African Cinema, 1958-1978
- Elena Razlogova
[Archival News]
Paulin Soumanou Vieyra in the Documents of the Rediscovered Audiovisual Archive of the Senegalese Ministry of Culture
- Marco Lena
Welcoming Paulin Vieyra's Papers to Indiana University's Black Film Center & Archive
- Terri Francis
